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The song still has all the trappings of a successful hit for Milky Chance even with its hints of instrumental experimentation. Later on Blossom gets some much-needed variety with “Doing Good,” a bass-heavy bop that turns Folk-sounding lyrics and guitar riffs into a grooving Indie Pop piece.

Thereafter, “Firebird” sounds like the shy sibling to “Stolen Dance” with its laidback beat and repetitious guitar, once again, showing how Milky Chance are adamantly clinging to their established songs. “Ego,” another single, puts the focus on Rehbein’s vocals and his uncanny ability to form an infectious hook with little effort, and is one of the album’s better efforts. That said, “Blossom” is catchy and upbeat with occasionally indecipherable lyrics while Dausch’s beats sound refreshingly fleshed out. The album’s title track begins with an exciting introduction of ’80s Pop/New Wave Keyboards, but then quickly transitions into the classic mix of Reggae and Folk guitar strumming that is the backbone of any Milky Chance song.

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Clearly, though, fans are itching for more of the same Milky Chance, and with that they have provided a full hour of new material with a scant few hints of musical evolution, but maybe that is not such a bad thing. Impressive in itself, the songs gentle guitar tones and relaxed beats could have easily been at home on Sadneccessary. The album’s first single, “Cocoon,” released in November of 2016, has already garnered tens of millions of plays on various streaming services. Set for release on March 17th via Republic Records, with Blossom, Milky Chance have not strayed far from the path that made them international superstars.

With Rehbein, Dausch and rent lineup addition Guitarist Antonio Greger, Milky Chance have entranced both fans and critics with their fusion of Folk, Reggae, R&B, along with Jazz, and now they are back to do it all again with their sophomore effort Blossom. Proving the power of the internet and word of mouth, Milky Chance would go on to selling out their first show in New York City, make appearances on Jimmy Kimmel and Jimmy Fallon’s late night television shows, and all on their own without any corporate funding. With catchy crossover hits like “Flashed Junk Mind” and “Stolen Dance,” they managed to net hundreds of millions of plays on Spotify and YouTube, and a year later, Sadnecessary was officially released domestically in the US, reaching #17 in the US on the Billboard Top 200. Comprised of former schoolmates, Clemens Rehbein (vocals/guitar) and Philipp Dausch (DJ/production), Sadnecessary became a hit in their homeland, soon spreading like wildfire, catching on in several countries and reaching highly charted positions. Initially coming together back in 2012, The German duo known Milky Chance quickly made a name for themselves with their 2013 debut album, Sadnecessary.